Pimps Up, Ho’s Down provides a vital critical assessment of the sexual exploitation of women and girls that is all too prevalent in hip hop culture and in our larger society. This intelligent and sensitively written study is mandatory reading for those of us who must stop the violence.—Darlene Clark Hine, co-author of A Shining Thread of Hope: The History of Black Women in America.
This compelling, well-researched, and alarming account of how hip hop culture has impacted the lives and shaped the identities of young black women should be read by women and men of every generation.—Paula Giddings, author of When and Where I Enter: The Impact of Black Women on Race and Sex in America.
Pimps Up, Ho’s Down pulls at the threads of the intricately knotted issues surrounding young black women and hip hop culture. What unravels for Tracy D. Sharpley-Whiting is a new and problematic, politics of gender. In this fascinating and forceful book, Sharpley-Whiting, a feminist writer who is a member of the hip hop generation, interrogates the complexities of young black women’s engagement with a culture that is masculinist, misogynistic, and frequently mystifying. Beyond their portrayal in rap lyrics, the display of black women in music videos, television, film, fashion, and on the Internet is indispensable to the mass media engineered appeal of hip hop culture, the author argues. And the commercial trafficking in the images and behaviors associated with hip hop has made them appear normal, acceptable and entertaining-both in the U.S. and around the world. Sharpley-Whiting questions the impact of hip hop’s increasing alliance with the sex industry, the rise of groupie culture in the hip hop world, the impact of hip hop’s compulsory heterosexual culture on young black women, and the permeation of the hip hop ethos into young black women’s conceptions of love and romance. The author knows her subject from the inside. Coming of age in the midst of hip hop’s evolution in the late 1980s, she mixed her graduate studies with work as a runway and print model in the 1990s. Her book features interviews with exotic dancers, black hip hop groupies, and hip hop generation members Jacklyn Diva Bush, rapper Trina, and filmmaker Aishah Simmons, along with the voices of many everyday young women. Pimps Up, Ho’s Down is a spirited book, written in an engaging style. Its goal is to turn down the volume and amplify the substance of discussions about hip-hop culture and to provide a space for young black women’s voices to be heard-in all of their contradictions, complicity, and complexity.