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From The Grio — MediaTakeout was the first to report the surprising news that BET’s latest late-night talk show attempt, The Mo’Nique Show, had fizzled out. Unlike African American-led late-night shows of the past, however, MediaTakeout insists that ratings were not the cause of the demise. Instead, it’s claiming that “personality conflicts” are responsible.

Officially, Tracy McGraw, a BET spokesperson, told theGrio , “The Mo’Nique Show will be on production hiatus beginning in the fall.” Still, it appears BET is dancing around the obvious.

Click here to view a Grio slideshow of memorable African-American Oscar moments

Unfortunately, reports of personality clashes are not all new for Mo’Nique. In 2009, there were ample reports, including one by the New York Daily News‘ gossip column, “Gatecrasher,” that her best supporting actress Oscar was in danger due to her diva attitude. Personality aside, however, those who believe in Academy Award superstitions chalk Mo’Nique’s latest news up as more evidence of a black Oscar curse.

Well-talked about in entertainment circles, the Oscar curse is not race-specific. Remember Sandra Bullock. After giving her touching acceptance speech, all hell broke loose within weeks, as Bullock became tabloid fodder thanks to her then husband Jesse James’s cheating ways. For black actors, however, an Oscar hasn’t necessarily meant the break-up of a marriage. Instead, it’s proven to be the career nail in the coffin, especially in recent times.

Since 1929, just a dozen black actors have won the Oscar: Hattie McDaniel, Sidney Poitier, Denzel Washington, Lou Gossett, Jr., Cuba Gooding, Jr., Morgan Freeman, Whoopi Goldberg, Halle Berry, Jamie Foxx, Forest Whitaker, Jennifer Hudson and Mo’Nique. More than half of them have seen their career opportunities diminish, not increase.

Being nominated has even cast some black actors like The Color Purple‘s Margaret Avery, for example, in the “where are they now?” pile. Welcome Home Roscoe Jenkins may unfortunately be her biggest role to date since The Color Purple.

Even big stars have proven largely unable to weather the storm.

During The Color Purple reunion show on the last season of The Oprah Winfrey Show, Oscar winner Whoopi Goldberg told Winfrey that she joined The View because “I needed a job and no one was asking me to be in movies.”

While Halle Berry and Jamie Foxx are still being asked to be in movies, film isn’t treating them so kindly. As popular as Halle Berry remains with the media, her film career has been very limited. Granted Catwoman didn’t help her cause. Still, despite rave reviews for the small film Frankie & Alice, her custody battle for her daughter Nahla has generated far more general public interest. Meanwhile Jamie Foxx is just simply doing whatever makes him happy and has found some success in the music industry.

Lou Gossett, Jr., who won best supporting actor for An Officer and a Gentlemanhasn’t minced words about his post-Oscar blues. In one online interview, he admitted to feeling that his Oscar would be his “key to the kingdom.” Noting that Paul Newman, Marlon Brando, James Dean and George C. Scott “were able to do one part after another of their history from Napoleon to the Romans to the Greeks to the British to the Vikings, and they were flourishing. We know all about the European culture by the movies that they did. So I thought that when I won my Oscar I would be able to do the same thing,” he said.

Instead, Gossett, Jr., who did play Egyptian president Anwar Sadat, albeit on television, claims “denial of opportunities” was his post-Oscar reality.

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  • omg

    i think i once read something where halle said she wasn’t going to all of a suddent stop taking “lesser” roles just because she won and academy award. i think for some, there may be a tendency to think they are better than certain movies and so get really picky. so, they wind up not working so much.

    i think halle was somewhat ridiculed by charlize theron for being a bond girl.

    but halle has done better than some other oscar winners, including charlize whose aeon flux movie flopped.

    as for monique, well, she wasn’t exactly known as a great actor before that award. i just thought of her as a loud-mouth comedian who was always going on about how being a fat woman was great. to me, she’s a bit hood in the way she acts. not my taste.

    all of their problems may also stem from the fact that they are “older” women and there aren’t as many roles for them.

  • Karlene

    Precious and Monster’s Ball were bad movies depicting Black women in stereotypes. I watched both and both were awwwwwwwwwwwwwful. The makers of Monster’s Ball should have cut the scene with Halle Berry ‘riding’ Bill Bob Thorton. It made no sense. In the character’s time of grief the only thing she could think of is having sex. Oh! please.

    • Brasilia

      Thank you Karlene. To this day, I still don’t understand the significance of the sex scene in Monster’s Ball. I’m sure the last thing on a grieving mother’s mind, especially after losing her one and only child, is to have sex to “make me feel good”.